Why NGO and social enterprise employees leave and how to understand why
Staff at NGOs and social enterprises leave for funding, field and workload reasons as well as pay. How to understand why, listen early and act.
7 min readRead articleA cultural foundation supports music, dance, theatre, crafts or literature through festivals, residencies and archives. Here is how to organise artists, curators, producers and project staff on fair, clear terms.

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Share your requirementsA cultural foundation may run a festival, a performing arts school, a gallery, a library of recordings, a craft revival programme or fellowships for artists. A core team of a director, programme manager, producer, accounts and administration keeps the year going, and many others come in by project: artists, curators, stage managers, technicians, designers, writers, translators and interns. Many arrangements are verbal and per project, and the line between employee, consultant, guest artist and volunteer is blurred. Festivals and exhibitions create heavy peaks with long days and travel, followed by quiet periods. Funding comes from donors, sponsors, ticket income and grants, each with conditions. Reputation matters, so credit, fees and fair treatment of artists are sensitive. Senior artists, patrons and board members can have strong views, and young staff work for passion and low pay. See also HR for NGOs and social enterprises.
These are the places the people side of this kind of business tends to give way. The rest of this page works through them.
HR here has to work for each of these groups, not only the office. The set-up below is written with all of them in mind.
GullyHR runs talent acquisition for permanent roles in cultural foundations. For each role we agree the job description with you, find and screen candidates against it, and support the offer through to joining. Tell us the role and the number of people, and we start there.
We recruit permanent employees. We do not supply contract or temporary staff.
Every business interviews, but few have a written process that works the same way for every role and every interviewer. GullyHR designs yours, from the role brief to the offer, trains your managers to run it, and can run it for you on the roles you hand us.
We agree what the role must deliver, the must-have and nice-to-have skills, and how each will be scored.
Screening call, assessment, interview rounds and decision points, sized to the role and the number of people you hire.
Structured questions for each role family and a rating guide, so two interviewers judge the same answer the same way.
A short briefing for your managers on what to ask, what to avoid and how to give a clear yes or no.
Who approves, how the offer is made, and how candidates are kept informed from first call to joining.
Many people work every year on the same terms, and nobody is sure if they are staff, consultants or guests.
Artists and curators are promised fees and credit by phone, and later disagree on amount, timing or what was included.
Weeks of 16-hour days around an event are followed by weeks of empty time, with no rest or recognition.
Young people are given large tasks for a small stipend and a certificate, with no clear learning plan or supervision.
Who owns a recording, a design or a script is not written, and disputes arise when the work is reused.
A senior artist or patron tells staff what to do, and the director has to manage expectations while keeping goodwill.
Artists and crew travel with equipment, with no clear rules on advances, accommodation, safety and insurance.
A post exists as long as a grant lasts, and the team's institutional memory leaves with each cycle.
Start with the topics that matter most here: Employee Administration; Learning and Development; Policies, Compliance and Governance. Then work through the rest. Each topic is written for ngos and social enterprises, not in general.
Records, attendance, leave and the day-to-day HR that must simply work.
Training planned from need rather than from the calendar.
Policies a manager can apply, and obligations with owners and dates.
How many people, in which roles, by when — and what they will cost.
Structure, reporting lines and who is allowed to decide what.
Requisition to joining, the same way every time.
A first day that is the same for the fifth joiner as the first.
Salary structure, payroll inputs and a month that closes on time.
Goals, reviews and ratings that hold up in a conversation.
Named backups for the roles that cannot be vacant.
Communication, recognition and the conditions people actually work in.
Two routes — one for complaints, one for conduct — kept separate.
Induction, records, incident reporting and follow-through.
Who leaves, when, why — and which of them mattered.
Resignation to relieving letter, in a defined order.
Records that survive people, and approvals that do not queue.
A short monthly pack management actually reads.
An HR function that runs the same way every month.
The pieces a cultural foundations business puts in place, in an order that makes each easier. Open any card for the detail.
A short test for each recurring person, with a written agreement matching reality.
A short test for each recurring person, with a written agreement matching reality. The HR documentation process gives a format. Confirm classification with a qualified professional.
Scope, fee, dates, credit, payment timing, travel and rights, before work starts.
Scope, fee, dates, credit, payment timing, travel and rights, before work starts.
A rota with rest, meals, transport and extra compensation, plus a post-event break.
A rota with rest, meals, transport and extra compensation, plus a post-event break. The attendance, shift and leave process helps.
A learning plan, a supervisor, a stipend written down and a closing review.
A learning plan, a supervisor, a stipend written down and a closing review. The learning and development process supports this.
A one-page statement on ownership, reuse and credit for recordings, designs and texts, checked with a qualified professional.
A one-page statement on ownership, reuse and credit for recordings, designs and texts, checked with a qualified professional.
A single route through the director for patron and board requests so staff are not pulled in many directions.
A single route through the director for patron and board requests so staff are not pulled in many directions.
Before changing anything, find out what is true today. These checks take an afternoon and tell you which of the topics above to start with.
Share your requirementsConfirm with a qualified professional. What applies to you depends on your business, your state and your arrangements, and it changes. This page describes practice. It does not state a legal position.
The services below fit this kind of business best. Each starts by recording where you stand, and every later report compares against that. We do not promise outcomes.
Engagement letters that make fees, dates, credit and rights clear.
Festival rotas, rest and recovery time.
Internships and fellowships with a plan, not just a stipend.
A policy on freelancers, rights and patron requests.
Start with a free conversation, or see the paid HR Diagnostic.
Understand the business, its workforce, current processes and HR challenges.
Find the missing, weak, inconsistent or person-dependent processes.
Create the structure, processes, policies, SOPs, dashboards and systems needed.
Help HR and department managers actually adopt the new system.
Digitise repetitive and approval-based workflows where it is worth doing.
Track hiring, attendance, employee cost, performance, training and attrition.
Strengthen the people-management system continuously, not once.
From the GullyHR blog: one on HR in ngos and social enterprises, and one on each of the topics this page points to.

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It depends on how the work is arranged in practice. Write down the arrangement and ask a qualified professional to confirm how it should be treated.
Scope, fee, payment dates, travel, credit, rights, cancellation and who to contact. Keep it short and signed.
Plan rest days into the calendar, rotate heavy duties and give recognition, not only thanks.
With a written plan, a named guide, a clear stipend and a review. Do not give them tasks that need a full employee without support.
It should be written down before the work starts. Ask a qualified professional to help draft the terms.
We would ask how the core team and project people are engaged, and how fees and credit are settled. A sensible first piece of work is engagement letters, a festival rota and a plan for interns. Scope and fees are agreed in writing afterwards.
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