Why agency employees leave and how to understand why
Creatives, planners and account teams leave for reasons beyond pay. How to run an exit conversation in an agency, spot patterns by account and act on them.
7 min readRead articleA radio or broadcast station must be on air at all hours, with talent, engineers and sales staff working to different clocks. Sales pay and presenter terms both depend on uneven advertising income, so how you structure them affects who stays on air.

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Share your requirementsA radio or broadcast station fills the hours of the day with programmes, music, news and advertising, and every hour must be covered by a person or by a working system. Staff include presenters and radio jockeys, producers and programme managers, news and content writers, broadcast and transmission engineers, and an advertising sales team that pays much of the bill. Talent builds a following, so a presenter's departure can take listeners with them. Live shows, early mornings, late nights and events run outside office hours, and the engineering team must be reachable when a transmitter or a studio link fails. See also HR for marketing and creative agencies.
These are the places the people side of this kind of business tends to give way. The rest of this page works through them.
HR here has to work for each of these groups, not only the office. The set-up below is written with all of them in mind.
A presenter who is sick or late leaves a gap on air, and there is often no ready person to step in.
A popular presenter is courted by rivals, and negotiating their terms is often improvised and personal.
A transmitter or link failure at night falls on whoever picks up the phone, with no agreed cover or compensation.
Advertising revenue swings by season and campaign, and sales staff on high targets burn out or leave when a quarter is weak.
Breakfast shows and night slots mean broken sleep and little social time, and exits follow.
Presenters, writers and the sales team disagree about what can be said on air and what must be sold, with no clear owner.
Guest hosts, stringers and event crews come on short notice, with terms agreed verbally.
Start with the topics that matter most here: Compensation, Payroll and Benefits; Performance Management; Retention and Attrition Management. Then work through the rest. Each topic is written for marketing, advertising and creative, not in general.
Salary structure, payroll inputs and a month that closes on time.
Goals, reviews and ratings that hold up in a conversation.
Who leaves, when, why — and which of them mattered.
How many people, in which roles, by when — and what they will cost.
Structure, reporting lines and who is allowed to decide what.
Requisition to joining, the same way every time.
A first day that is the same for the fifth joiner as the first.
Records, attendance, leave and the day-to-day HR that must simply work.
Training planned from need rather than from the calendar.
Named backups for the roles that cannot be vacant.
Communication, recognition and the conditions people actually work in.
Two routes — one for complaints, one for conduct — kept separate.
Policies a manager can apply, and obligations with owners and dates.
Induction, records, incident reporting and follow-through.
Resignation to relieving letter, in a defined order.
Records that survive people, and approvals that do not queue.
A short monthly pack management actually reads.
An HR function that runs the same way every month.
The pieces a radio and broadcast stations business puts in place, in an order that makes each easier. Open any card for the detail.
A named stand-in for each show and desk, and a rule for how absence is reported before the slot.
What this coversHideA named stand-in for each show and desk, and a rule for how absence is reported before the slot. The attendance and shift process holds the roster.
A pay and renewal approach for presenters that reflects experience and audience, reviewed on a schedule rather than during a rival's approach.
What this coversHideA pay and renewal approach for presenters that reflects experience and audience, reviewed on a schedule rather than during a rival's approach. Compensation benchmarking helps.
Named engineers, defined response times, a fair allowance and time off after night call-outs, written in the station's policy.
What this coversHideNamed engineers, defined response times, a fair allowance and time off after night call-outs, written in the station's policy.
A mix of fixed pay and incentive that survives a weak quarter, with clear targets by segment.
What this coversHideA mix of fixed pay and incentive that survives a weak quarter, with clear targets by segment. The performance management approach supports it.
Who decides what can be said, how sponsors and editorial are kept apart and what happens on a breach.
What this coversHideWho decides what can be said, how sponsors and editorial are kept apart and what happens on a breach. HR policies helps draft it; have wording reviewed by a qualified professional.
Before changing anything, find out what is true today. These checks take an afternoon and tell you which of the topics above to start with.
Share your requirementsConfirm with a qualified professional. What applies to you depends on your business, your state and your arrangements, and it changes. This page describes practice. It does not state a legal position.
The services below fit this kind of business best. Each starts by recording where you stand, and every later report compares against that. We do not promise outcomes.
A roster with cover for every slot and an accurate record of early, late and on-call hours.
A structure for presenter, producer and engineer pay that is market-aware and consistent.
Sales incentives and targets that hold up when advertising income swings.
A written on-air conduct and content policy and rules for sponsors and staff.
Start with a free conversation, or see the paid HR Diagnostic.
Understand the business, its workforce, current processes and HR challenges.
Find the missing, weak, inconsistent or person-dependent processes.
Create the structure, processes, policies, SOPs, dashboards and systems needed.
Help HR and department managers actually adopt the new system.
Digitise repetitive and approval-based workflows where it is worth doing.
Track hiring, attendance, employee cost, performance, training and attrition.
Strengthen the people-management system continuously, not once.
From the GullyHR blog: one on HR in marketing, advertising and creative, and one on each of the topics this page points to.

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Keep a named backup for each slot, require early notice of absence and hold a few pre-recorded or flexible programme options. A rota that everyone can see is the foundation.
Review it regularly against the market and their contribution, and write down the terms and renewal dates. Waiting for a rival's offer makes negotiation harder and costlier.
Name who is on call, set response expectations, pay an allowance and give rest after a night fault. Without this, a few people carry the burden unfairly.
Combine a reasonable fixed salary with an incentive on actual collections, and set targets by season. Purely commission-based pay tends to lose good people in slow quarters.
Limit how long a person stays on the extreme slots, rotate where possible and avoid sudden changes. Ask staff what pattern they can sustain.
We would look at whether every show slot has a named backup, when your most popular presenters' terms are next reviewed, and how the last overnight engineering fault was handled. A sensible first piece of work is a cover list and an engineering on-call rota, both quick to set up. Scope is agreed in writing afterwards, before anything begins.
All 3 business types in marketing, advertising and creative · Find another business type
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