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Why does yield drop when one operator leaves?

The unwritten corrections a mixer, press, kiln or glaze hand makes every shift, why the written settings never include them, and how to capture them before he goes.

Ganesh HS · · 7 min read

A factory supervisor and colleagues discussing a shift handover in a workshop

In brief

  • Yield falls because the experienced hand was quietly correcting for wet sand, a worn mould, a humid day or a new clay lot, and none of those corrections were written down.
  • The written settings show the starting point; the real recipe lives in small daily adjustments, sounds and smells that only he notices.
  • Capture it with two weeks of an adjustment log, a settings sheet with a conditions column, and a named second hand who runs the machine while he watches.
  • If he has already left, rebuild the knowledge from reject records, his former shift partners and a paid return visit, and move quickly before memories fade.

Because his real job was never the one on paper. On paper, a block plant's batching hand weighs cement, fly ash, crusher dust and grit. He adds the listed litres of water and runs the pan mixer for the listed minutes. In practice he squeezes a handful of sand every morning. In the rains he cuts the water. When the grit lot changes he lengthens the mix. When the press operator complains that blocks are sticking, he knows why. Not one of these habits sits in a file. When he leaves, the next man follows the sheet, and the sheet was written for a dry day with last year's sand.

Our hub for kiln, press and mixer plants gives a two-line answer. Here is the long version. The companion piece on how a handful of operators set yield goes further into backups.

The corrections nobody wrote down

  • Mixer hand: water cut for wet sand, longer mix for a coarse grit lot, extra cement when the fly ash looks pale.
  • Press operator: more vibration on a worn mould, slower cycle when pallets warp, a tap on the hopper when fill is uneven.
  • Kiln burner man: a small change in the firing zone when the clay body is damp or the night is cold.
  • Glaze line hand: specific gravity checked by feel and corrected before the tiles show pinholes.
  • Sorter: a calibre or shade call made in seconds, based on years of looking.
  • Roll-former setter: shims and roller gaps nudged to stop edge wave on thinner coil.

Each correction is small. Added up, they separate a full-price lot from a heap of seconds or crushed rubble. The written settings do not include them because the experienced hand does not see them as separate steps. To him, it is just doing the job.

How the loss shows up

Day one usually looks fine. The replacement runs the standard settings and output looks normal. Then breakage at stacking rises, more tiles go to the seconds pallet, pipes crack in curing or sheets come back with wavy edges. Because the loss shows days later and in another section, it is blamed on raw material, weather or the new curing attendant. By the time anyone links it to the exit, a month of yield is gone.

How one memory becomes the plant's only copy

Nobody ever asked him to pass it on. A seasoned hand may fear that teaching makes him replaceable, and no grade or allowance says otherwise. Rotas are drawn around him, which parks him on the critical press or burner panel and keeps learners elsewhere. His in-charge trusts him and does not check. Records hide the gap too, since rejects get logged against a shift rather than against the man at the controls.

Capturing it while he is still here

  1. 1

    Mark the seats that swing yield

    Recall past operator changes and which machines lost output afterwards. Four or five usually stand out.

  2. 2

    Run an adjustment log for two weeks

    He notes each departure from the sheet, when he made it and what prompted it. The in-charge helps him write it if needed.

  3. 3

    Rewrite the settings sheet

    Add a conditions column: wet sand, new lot, cold night, worn mould. Write what he does in each case.

  4. 4

    Put a second hand beside him

    The learner drives the console; the senior stands behind and corrects. Swap roles one shift a week.

  5. 5

    Reward the teaching

    Pay a trainer allowance, or a grade step, once his learner clears a practical test on that machine.

  6. 6

    Log rejects by operator

    Record who ran the machine against each reject count, so the effect of a change is visible.

Adjustment log (one line per change)
Date, shift, machine and product.
What the sheet says.
What he changed, and by how much.
Why: what he saw, heard, felt or measured.
What happened to the output after the change.
Initials of the learner who watched.

If he has already gone

Move fast. Sit with his former shift partners and the in-charge and ask what he used to do differently. Pull reject records for the weeks before and after he left and look for the change. If he left on good terms, ask him back for a paid day to walk through the machine. Then write the settings sheet with a conditions column. Our leaver handover note turns this into a fixed step whenever someone resigns.

What plant heads ask after that

Which operators matter most? A skill matrix shows where only one person is trained. Will he refuse to share? Some will, if they think it ends their value. A trainer grade answers that. And the learning time? Weeks for a pan mixer. Months for a roller kiln or a sorting conveyor. Tile plants can use this kiln and sorting learning route. Cement product yards can tie cracked pipes to crews with casting yard records.

Questions we are asked

A procedure helps, but it usually captures the starting settings, not the corrections. Add a conditions column and fill it from an adjustment log kept by the experienced hand. Then check the procedure against real rejects every few months and update it.

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